Boomkat
(UK):
Okay so this is weird – in February 2011 Gier Jenssen finished an album
that he had dedicated to the Japanese post-war reconstruction and,
specifically, their futuristic nuclear program. After surveying photos
he became fascinated by the idea that nuclear power plants could be
built so close to seas and in earthquake-prone areas, and this slowly
became the focus for the record. A few months later, hearing the album
is a totally different experience – we are now in the aftermath of one
of Japan’s most grave disasters and Jenssen’s findings have an eerie
poignancy. The music itself is hardly melancholy, but has a damaged,
cold, digital edge which mirrors the clean architectural perfection of
these ominous structures, pre-earthquake of course. As Jenssen’s
clipped, purposeful rhythms make their way slowly into the synthetic
patterns they guide the record and give a very fitting stark Kubrickian
sci-fi haze. ‘N-Plants’ almost reminds me of early SND (think ‘Stdio’
or ‘Makesndcassette’) but played at the wrong speed. These are slow,
booming passages of sound and carried out with a masterful ear, and the
razor sharp precision of a true veteran of the field. Lazy,
lackadaisical witch-house this is not, but ‘N-Plants’ certainly shares
threads with its purposeful slow-down of dance music tropes. Rather
than doing this for a specific trend, Jenssen’s sound rather seems to
be rooted in its subject matter; the visions of the future that remain
entrenched in the past, and the hopes of our ancestors that simply end
up dashed on the rocks of our mistakes. Without the context ‘N-Plants’
is an affecting, engrossing listening experience, and with the added
air of melancholy it makes it all the more haunting. Huge
recommendation.
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